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Impact

Creativity that leads to stories of change.

Measuring what matters to you.

At Norwich Theatre, we measure the impact of our creative programmes. This means we will ask our participants and audiences to provide feedback on their experience with us. We use the information you give us in a few ways; to make sure the work we’re doing remains of high quality and see how we can improve, to report to our funders and publicise what we do, and to understand what difference our work makes on people who engage with it.

We believe that being creative has so many benefits, like finding a new community, learning new skills and improving overall wellbeing. The feedback you give us will help us to evidence this and learn more about our communities.

Everyone’s experience is important to us, and we will make sure you are able to share your story. This could be through a survey, a social gathering, a creative feedback session, or as a case study. We will handle your stories with care.

Below you will find some examples of the impact of our programmes, we may also use feedback, quotes and statistics in marketing, press, reports and with partners or funders.

Participant from Women’s Stories: Being Enough

Karen participated in the Women’s Stories: Being Enough workshop at Norwich Theatre, a programme that used theatrical techniques to explore storytelling and self-expression. Despite having no prior drama experience, Karen was drawn to the idea of sharing personal narratives and found the workshops both challenging and enjoyable. The group quickly bonded, creating a supportive community where participants embraced vulnerability, shared experiences, and formed lasting friendships. Karen particularly valued activities like movement exercises and choosing symbolic objects, such as a glass sphere, which encouraged self-reflection and new perspectives.

The workshop’s unique blend of theatre, storytelling, and shared experiences allowed Karen and others to overcome inhibitions, explore creativity, and confront personal challenges. The safe and joyful space fostered healing and growth, with many participants experiencing transformative ‘eureka moments’. For Karen, the collective wisdom of women was a powerful force, helping her reconnect with her courage and strength. She described the experience as magical, emphasizing the forgotten power of women coming together in modern society.

Since completing the workshop, Karen has noticed significant improvements in her life. Her self-confidence has returned, and she has become physically active, taking up swimming, dancing, and cycling. These changes have enabled her to continue her journey of self-discovery and tackle ongoing health challenges. The supportive environment and shared wisdom of the group left a lasting impact, empowering Karen to embrace new opportunities and deepen her relationships.

Participant from Boys Movement Company

Even from a young age, Terrel’s fascination with movement was clear—he ‘adored rhythm’ and found that dance offered him a world to be himself. Being home-schooled and on the autism spectrum, he sought more expressive styles and ‘male-energy’ spaces beyond the technique-heavy classes he knew where most participants were girls. When his mother, Tracey, discovered the Boys Movement Company (BMC) through a Facebook advert, Terrel leapt at the chance to join a group designed just for boys, blending urban, contemporary, and other dynamic styles in a supportive environment.

Within BMC, Terrel found more than just a place to dance; he discovered a genuine community. Ben Nash, the group’s leader, treated the boys with respect, sensitivity, and an approach Tracey describes as “what his old dance teacher needed.” Under Ben’s guidance, Terrel learned to integrate favourite moves into cohesive routines, explore new techniques, and gain confidence that extended far beyond the studio. The boys “all call themselves brothers now”, creating a trusting space where Terrel could relax, be authentic, and embrace his unique energy without constantly striving to meet others’ expectations.

This freedom and affirmation paid off. Terrel mastered moves he had always dreamed of, took part in workshops led by renowned dancers, and gained the courage to dance outside his comfort zone. At the AYD100 programme, directors recognised him for being “so raw and so himself”, and he earned a short course with the Rambert School. Tracey credits this growth to BMC’s influence, where Terrel learned he could be “himself and feel free,” forging a path as both a dancer and a young man confident in his own potential.

Participant from Theatre of Possibility: Beyond the System Podcast

Beyond the System is a podcast mini-series created by care leavers in Norfolk and codesigned with Norwich Theatre and the Norfolk County Council Social Care Participation Team. Participants with care experience took part in a series of workshops to explore their individual creativity and prepare them to share the parts of their stories that they hoped will make a difference and make others feel less alone. Each episode starts with a participant sharing a creative piece they have written, followed by a conversation on the topic. Read about Alex’s experience of taking part below:

When Alex first arrived at Norwich Theatre, she wasn’t sure what to expect. Podcasting was new territory, something she’d been curious about but never pictured herself doing. She imagined it might be structured, maybe dull. Instead, she found a space that was open, playful, and unexpectedly transformative.

“We wanted somewhere to go more in depth,” she said. “A platform to talk about the stories that shaped us… something that might make young people feel less alone.”

Though some participants were strangers at first, the awkwardness faded quickly and Alex started to notice parts of herself she’d never acknowledged: “This was the first time I ever talked about the first night I went into care. I’ve never talked about it… not in therapy, not to anybody.”

She described gaining confidence, clarity, and a stronger sense of her own story. What Alex valued most were the connections, with others and with herself.

The process mattered, but so did sharing the final podcast. “If it was just creative sharing… I have therapy for that.” Knowing it might reach other young people, and professionals, gave it purpose. She hoped someone in power might listen differently.

Trust also played a role. Many joined because they were invited to, but they stayed because the team took them seriously. Working with actor Joseph Arkley helped: “He gives creative feedback, never criticism. He makes you think from five different perspectives.”

From a tentative “yes” to a published podcast, Alex emerged with creative courage, a strengthened identity, and the knowledge that her experiences matter. Her story now lives publicly for young people who might need it, and a reminder to those in power that these stories are human and important.

Beyond the System is available to listen to on Spotify and YouTube

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