Throughout the year, in collaboration with the Royal Shakespeare Company (RSC), we will write, sing, move, and create together a bold new production performed this autumn, telling the untold stories of our communities.
We are reaching out to communities around the county and creating opportunities for people to discover the relevance of Shakespeare’s stories to their lives today. Shakespeare Nation is a collaboration between Norwich Theatre and RSC. Funded by the Esmée Fairbairn Foundation.

Welcome Evening: Shakespeare Nation
Come along and raise a toast to the bard himself on his birthday (23 Apr).
Watch project films, hear stories from past productions, and explore a new exhibition of community stories. You will also have the opportunity to learn more about our plans for the production and how you can get involved and take part as a Citizen Theatre Maker.

Creatives in the Community
Norwich Theatre has collaborated with local artists Katie-anna Whiting (The Whiting’s On The Wall), Daisy Henwood and Lucy Enskat (Hocus Pocus Theatre) to hold creative activities and conversations in community settings including Catton Grove Primary School, The Forum, and the MIND Rest Hub to hear from our communities and create a new collection of Norwich stories from people who work, live and learn in the city.
Join us for our Welcome Evening: Shakespeare Nation (23 April) to see some of these outcomes.
Community Co-production
Join a new creative community this summer and be part of the development of a bold new production!
There are four Citizen Theatre Makers groups open to anyone over 18: Community Folk, a relaxed musical group for all adults, celebrating musical heritage and storytelling through song; Stories in Motion, a movement–based group exploring what happens when culture, tradition, and dance are woven together; Storytellers, a group crafting new narratives through writing and performance; and Women in Shakespeare, a group for women 50+ reclaiming the roles of Ophelia and Gertrude.
All of the groups are completely free to attend but need to be booked. Explore the full selection below:
Past Projects
Year One: A Tale of Many Cities, 2019
Norwich Theatre’s response to the RSC’s title Romeo and Juliet was to call the project A Tale of Many Cities – a reflection of our fine city and collaboration with the local refugee, student, academic, and vulnerable young adults communities.
The make-up of Norwich has always been changing. The city has always welcomed visitors from afar. The city’s population is as diverse as ever, and its diversity will continue to grow. At the time of the project, the political climate meant day-to-day conversations meandered around immigration, Brexit and the unknown for the future and how we, as the UK, will fit in and be perceived by the rest of the world. Yet Norwich could proudly boast itself as a welcoming city. Norwich Theatre wanted the project to reflect this.
Year Two: Brave New World, 2020
Year Three: A Carnival of Errors, 2021
A Carnival of Errors explores our own city’s response to the themes of Shakespeare’s play The Comedy of Errors – community, identity, power-play, and corruption.
Year Four: Julius Caesar, 2023
Julius Caesar, Shakespeare’s great political tragedy, is the perfect play for our age of crisis, asking questions about how far we’d go to shift power. This production explored what really makes a leader, as well as inviting questions about gender and power.
Working closely with local Music Director Xenia Horne and RSC practitioners, our chorus developed their creative skills while exploring the nature of what makes a good leader today. The hope is that this chorus of community champions will continue to inform and challenge the work of Norwich Theatre and the RSC beyond the production. Working with people who lead for their community and understand the needs they serve is invaluable in the Nation project’s mission to ensure the work is relevant to those we create it with and for.
Through workshops and masterclasses, our Community Chorus explored voice and movement to create an elemental, tribal force, haunting Rome; evoking destruction and a spiritual, environmental reckoning beyond the story in the play.
